I may not be a Grobanite, but I’m a fan

Josh Groban

When I was asked to review the Josh Groban concert in Minneapolis, my first thought was honestly “popera.” I’ve always thought Josh Groban is extremely talented (both vocally and instrumentally) but being a self-proclaimed hipster musically, I may have turned my nose up a bit to his work.

I was able to delve deeper into his music over the past week and began to have a much greater respect for him. That admiration increased all the more seeing him perform live.

I read an article recently that I think really portrays his humility and addresses the genre confusion. Here’s an excerpt:

“But some misunderstanding about the genre is understandable,” Groban adds generously. “It’s kind of a new thing,” he says. “I’ve been put in this position where I’m paving my own road.”

If there must be a label for it, Groban prefers “traditional pop.”

“The pop music of yesteryear was more open-throated and was more full-voiced and did include vibrato,” he says. “I think we’re so used to voices so compressed within an inch of their lives now that when anything feels like a full-throated, open-sung song, people say, ‘Omigod, that must be opera.’”*

I see where Josh is coming from on this. As an amateur singer/songwriter, my vocal style has elements similar to Groban in vibrato and “full-voiced” singing, as he puts it. I really admire Groban for being able to pull from multiple influences spanning many genres, but remaining true to himself and not “selling out” for a watered-down form of his unique style. Even if this means less record sales in the long run, I’m confident the Grobanites will ensure Josh has no problem putting bread on the table for the rest of his career.

Speaking of Grobanites, they came out of the woodwork when I tweeted about my upcoming review! I was able to observe his loyal fans in person and they spanned from young teenage girls to grandmas and everything in between. Groban even joked at the concert, “I see a lot of men in the audience…that’s good. Maybe you were dragged here by your wife, your girlfriend….your grandma.” He’s definitely a charmer and a fantastic performer. I’m confident he kept everyone entertained throughout the show. Even the men.

Groban covered songs from a diverse collection of artists, including Stevie Wonder, Jimmy Webb, and Don McLean; not to mention the traditional songs like She Moved Through the Fair. He introduced the traditional Irish song saying, “I want to sing this at my wedding someday.” Girls screamed out in the crowd. He pointed toward the screaming, saying, “I’m gonna marry you girl.” And followed up with, “This is the Bieber moment of the show.”

As if his golden voice wasn’t enough to wow the crowd, Josh portrayed his musical versatility on the piano and even on the drums.

This was all magnified by Groban’s amazing band. Each member was a master of their instrument. I was particularly impressed with the band’s instrumental rendition of Aerosmith’s Dream On, featuring a fantastic violin solo by Christian Hebel. Groban’s music director and guitarist, Tariq Akoni, was also a highlight for me.

I was also very impressed with the opening act, Judith Hill. Hill’s powerful voice is full of soul and her original songs were heartfelt and well-written. My favorite moment in her act was her opening medley on the piano including songs like Feeling Good, I’ll Be There and You’ve Got A Friend. Her duets with Groban (Particularly The Prayer) were beautiful.

Listening to Josh Groban’s albums pales in comparison to seeing him and his band perform live. It was a great experience musically and Groban’s antics and comments between songs created a fun atmosphere. He shared that he wrote and recorded most of his Illuminations album here in Minneapolis with Dan Wilson (Adele, James Morrison, Weezer, Jason Mraz, and many, many more) which was a very interesting, fun fact.

If you get a chance to see him live next time he comes through town, I recommend it.

Share your comments below!


The Last Bison at 7th St Entry (Opener: Marah in the Mainsail)

The Last Bison

I found out from my friend, Alec, that his band, Marah in the Mainsail, will be opening for The Last Bison at 7th St Entry (First Ave) tomorrow night (4/8/2013). I’ve seen Marah in the Mainsail live and I definitely recommend checking them out. After listening through The Last Bison’s debut album, Inheritance, a few times, I’m confident it will be an amazing show.

The Last Bison comes out of Chesapeake, Virginia. Not only this, but it would seem from their persona that they come out of 18th or 19th century Virginia. The band has been compared to Fleet Foxes, The Decemberists and Mumford & Sons – to name a few – but they’ve done a fantastic job of developing a sound that’s not only unique, but polished, complex and moving. With elements of folk, classical, and other genres, the band classifies themselves as “mountain-top chamber”. I would say their ability to blend rootsy Appalachian folk and orchestra music make this classification well-deserved. Another interesting fact is that front-man, Ben Hardesty, started the band with his father, sister and other friends from home; giving the band an organic sound and chemistry that comes through in their music.

I found an artist out of Austin, Texas a year or two ago on NoiseTrade named Austin Basham, and there are elements of his music that remind me of The Last Bison. I recommend checking him out as well.

This video gives a great bio about The Last Bison:

You can check out the info for the show at 7th St Entry and buy tickets here: http://first-avenue.com/event/2013/04/thelastbison

Check out the music video for the band’s song, Switzerland: